Jordan E. Franklin

 
 

There’s a Light That Never Goes Out

After the Smiths

 

Beg me to sing of the bus and splintered light.

Your steering wheel sternum crashes, its circus

of plastic and bone you tease into fingers

seeking the river of my throat—just us

and this song, singing: let us not go home.

Our lifelines touch, conjoined in the Jordan.

 

They’ll remind you of a time when “Jordan”

was the only thing sleeping here, the light

when the name weeps out of you—a home

without venom. If palms were a circus,

could you tame me again? That veil of us

over your eyes, inked skulls under your fingers.

 

A ballad murders your father’s fingers

branched upon abused strings. Point to Jordan—

This new land of flesh crashes this path in us

crueler than waves into a cove’s mouth, light

twisting like sea beds, the toothless circus

bears my lungs become in their ribbed home.

 

We traipse dancehalls and streetlamps to your home.

Beside me, you are a siren, fingers

driving me to swollen tongue, mad circus

heart which traces hymns slowly to Jordan—

the heavy staccato with not a light

sound to be known. Loosen this spell for us.

 

Still your charm. See how your hexes numb us

as the night crashes here. Enchant me home

for I have lost its name. Into streetlight,

cracked eye of lyre, use your dulcet fingers

to part the strings of song. There is Jordan

there—I’m not sold on Canaan, that circus

 

fire lost before we were dreamt. The circus

tightrope you ask of me before there’s “us”

named in that book by your bedside, “Jordan”

marked in something close to “red” or to “home.”

You, the architect of rehearsed fingers

arched over my mouth, bring prayers to light:

 

I beg you, tell me there’s a light

somewhere. Can you comb it through your fingers

for me? Can you give me the name of “home?”

 
 
 

Baldur Dreams: the Lost Verses

Inspired by “God of War (2018)” by Santa Monica Studios

 

back to the days when

I wore twist braids

like a careless crown

and the other kids

dubbed them “dreads-

in-training” and “doo doo

braids.”

 

back to the days

when you taught

me to jab and hook.

You smiled—

all 32 doors to Valhalla

opened for me to see.

 

back to the days

when I shunned dresses,

nursed ugliness, and thought

I wasn’t pretty enough

to be a girl.

 

back to the days

when I could outrun teasing,

bullets, and my own head

on the school playground,

my polished shoes

sprouting wings

on Bedstuy asphalt.

 

back to the days when

loving you hurt

but I couldn’t feel it—

the pain subtle

like the temperature

in the room.

 

back to the days

when everything I wrote

rhymed until the meter

chipped like walls

under your hands.

 

back to the days

when you made me beg

for mistletoe

even when you knew

what it’d do.

 

back to the days

when the fool in me

believed I wouldn’t be

touched if I’m ugly

and let 300lbs separate

bones from skin.

 

back to the days

when 300lbs wasn’t enough

to keep that man

for entering the elevator

with me.

 

back to the days

when that man only touched

and ugliness—

that fool’s gold of a calf

I prayed upon

like the Valhalla I saw

in you—broke.

 

 

Jordan E. Franklin is a poet from Brooklyn, NY. An alumna of Brooklyn College, she recently earned her MFA from Stony Brook Southampton. Her work has appeared in the Southampton Review, Breadcrumbs, easy paradise, the Ekphrastic Review, and elsewhere. She is the winner of the 2017 James Hearst Poetry Prize offered by the North American Review, and a finalist of the 2018 Nightjar Poetry Contest. Currently, she is the poetry editor for Suffragette City Zine and is working on her first poetry collection.

 
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